Home Grown Mountain-River-Valley Music

Heritage Concerts

“From the Mountains to the Valley" is a concert series celebrating the unique musical history of the Hudson Valley and Catskill mountains. For the latest updates, go to
http://heritageconcerts.blogspot.com/

Songs and Tunes from the Catskills and Hudson

Every area has it's own local history and folk music. For many years I have been researching the indigenous music of the Catskill mountains and the Hudson River Valley, including the landmark work done by Herbert Haufrecht, Norman Cazden and Norman Studer during the 1950's at Camp Woodland.
Much of the music can be found at this site:
"Digital Tradition" . Just enter "@Catskills" in the search engine.

Several of my original songs cover Catskill Mountain/Hudson Valley topics. For those lyrics, go to
"Song Lyrics".

Marc Fried has written several songs about the Huckleberry pickers in the Shawangunk Mountains. You can see those lyrics at
"Huckleberry Songs"

Here is a laundry list of historic and regional song titles from a variety of sources. Descriptions and words follow:

Abe Sammon’s Applejack
Acres of Apples
As I Went Down to Port Jervis

The Barefoot Boy
Beggarman
Big Bill Snyder
Blackbird
Blue Mountain Lake
Bluestone Quarrys
Brennan on the Moor
Burning of Kingston
Cutting Down the Pines
D&H (was a rising)
Delhi Jail
Dewy Dens of Yarrow
Down by the Hudson
Erin’s Green Shores
Felix the Soldier
Foggy Dew
Girl I Left Behind Me
Hudson River Rolling On
Hills of Glenshee
Home by the Hills
I Know an Old Canawler
I Walk the Road Again
In Tarrytown
Kerry Recruit
Last Winter was a Hard One
Meeting of the Waters
Mermaid
Moon in the Pear Tree
Mountain Brow
My Heart's in Old 'Sopus Wherever I Go
Once More a Lumberin go
Over the Hills
Paddy on the Canal
Piper's Refrain
River that Flows Both Ways
Rolling Home to the Hudson Valley
Round the Roundabout
Shove Around the Grog
Shule Aroon
Tugboat
When You're Out of a Job
Wild Irish Boy
Wild Rippling Water

Here are words and historical backgrounds on some of the above songs. I will add to this as time permits.
2-1-07


ABE SAMMON'S APPLEJACK

The town of Rosendale, 5 miles south of Kingston, is famous for 3 things. The first is that it is where Pete Seeger lost his banjo. It fell off the back of his electric powered pick up truck a few years ago (2003?)and fell in a ditch. Someone found it and kept it in their garage for a few weeks, until they happened to read a newspaper or talk to someone who read a newspaper and then it was promptly returned.
Rosendale is also famous for being the place they discovered cement, although I believe there is some argument with the neighbouring town of High Falls also making the claim.
Lastly, it was famous for applejack. From the 1920’s through the 1950’s the Sammons family among others had various types of drinking establishments on Main Street Rosendale. I have met some members of the Sammons family - they are still around.

The song was written in the 1940's by cement worker Willie Clancy, and collected by folklorist and educator Norman Studer. I learned it from his grandson, Eric Levine. Here are both the original song as collected and (I think) a singer-friendly version of mine. I put together the chorus from a few lines of the verses. Rich Bala has recorded a slightly different, but very nice, version.







(From an article " 'Whirling' and Applejack in the Catskills by Norman Studer) "Moving eastward across the Catskills to the Hudson River Valley we found an amusing poem in Rosendale, once the center of the cement industry of the nation. This tall tale in verse was furnished by Pat Riley, who claimed to be the oldest resident of Rosendale. Mr. Riley says that the author was Willy O'Brien, who worked in the cement mines. Abe Sammons owned a distillery in Rosendale. The song follows:"

*ABE SAMMON'S APPLEJACK*

version by Bob Lusk
(based on a poem by Willy O'Brien)

Chorus
I'd like a drink of Applejack, or a little drink of ale
That good old stuff Abe Sammons made in the town of Rosendale
You can have your running rivers, your cozy mountain shacks
But just drain all the oceans and put in Applejack

Now, it cured a man at Rock Locks, they'd given up for dead
He took a drink of Applejack, and he jumped right out of bed
It was good for all that ails you, it would drive away the blues
It made a long ear rabbit bite a bullfrog right in two

Chorus

I'd like to turn the clock back some forty years or more
Just for a night of dances on Abe Sammons' bar room floor
I'd like to dance to 'Home Sweet Home' with those old friends of mine
And have one good old parting drink of apple, beer or wine

Chorus

Now Kentucky rye or bourbon, good old New England rum
Might warm the cockles of our hearts when winters days are done
But the juice of Ulster's apples will bring back many a dream
To the folks away up yonder, up in Rosendale I mean

Chorus


*ABE SAMMON'S APPLEJACK*
(Original)
From a poem by Willy O'Brien,

I'd like a drink of Applejack
Or a little drink of Ale,
That famous stuff Abe Sammons made
In the town of Rosendale.
It was good for all that ailed you,
It would drive away the blues;
Why, it made a long-ear rabbit
Bite a bull-dog right in two

It cured a man in Rock Locks
They had given up for dead;
He took a drink of applejack
And jumped right out of bed.
A drink of Abe's old apple
[was money well spent]
Just would make you talk of millions
Though you don't have a cent. (sic)

A woman lived in Edyville
Who had a lazy son;
He never did a lick of work
Till he was twenty-one.
One day a neighbor told her
What might induce the lad to work;
One charge of Abe's old apple
Made him labor like a Turk.

In Whiteport lived a pretty girl
Whose age was seventeen;
She loved a fine young farmer
By the name of Silas Green.
She would ask him to go walking,
Then invite him to her house;
But he'd sit there by the hour,
Just as quiet as a mouse.

One night she mixed him up
A drink of toddy for his cold;
A drop or two of Sammons' best
Just made young Silas bold;
They're married now and settled
She's happy as a queen,
Thanks to that shot of apple
Which she gave to Silas Green

Oh! the juice of Ulster's apples
Will bring back many a dream
Of the folks away up yonder up in Rosendale I mean.
I'd like to turn the old clock
Some forty years or more
Just for a night of dances
On Abe Sammons' ballroom floor

I'd drink a hooker just before
The hour for the ball,
And have another afterwards
We'd drink it in the hall.
I'd like to dance the Lancers
With the girl I loved the best;
I never will forget the rose
She pinned upon my breast.

I often wish I'd saved those cards
On which the bids were sent;
Inviting you and lady friend
Or lady and her gent.
I'd like to dance to "Home Sweet Home"
With those old friends of mine,
And have one good old parting drink
Of apple, ale, or wine;

Then bid them all good morning
As the sun begins to shine
While the band is softly playing
In the days of "Auld Lang Syne."

Kentucky Rye or Bourbon
Or good old New England rum
Might warm the cockles of our hearts
When Winter's chill has come.

But the stuff we most desired
When rude Boreas shook our shacks
Was old Ulster's famous Mountain Dew
Abe Sammon's Applejack.


*Acres of Apples* (Les Rice)

(Les Rice was an apple farmer in Highland. He was involved in progressive politics and wrote many songs. They were compiled by his wife and Carol Hanisch and published locally. This song was originally printed in the New York Folklore quarterly, but they left out the last two verses that talked about unionizing.)

I came to the Mid-Hudson Valley
A many a long year ago
I have spent all my time in the orchard
A making those red apples grow

A making those red apples grow
A making those red apples grow
And thinking each year as I labored
That someday I would make me some dough

I sprayed them and sprayed them and sprayed them
From early in April to fall
Those trees were so loaded with apples
You couldn't see green leaves at all (3x)
And what did I get for those apples?
A penny a pound for them all

I have raised in my time enough apples
To feed the whole state of New York
But I never have had enough money
To buy me a good roast of pork(3x)
The apples are raised in the valley
But the money is made in New York

But now I am joining a union
A union of farmers like me
I'm tired of paying the broker
His one hundred and ten percent fee(3x)
I'd like just a little left over
A little left over for me

And now that we're all in the union
Some fellows had better get wise
They've stolen our left and our right arms
But we're damned if we'll give them our eyes (3x)
The next time they come to the valley
We'll cut down those bastards to size


*As I Went Down to Port Jervis*
From Folk Songs of the Catskills, Cazden, Haufrecht, Studer
Collected from George Edwards (missing line in parentheses from
Marvin Yale)

As I went down to Port Jervis, one morning in July
A mother with two soldier boys, the tears were in her eye,
Saying, "God be with you, my two sons, as you are going to war
You'll face the bloody battles along the Southern shore."

"Why do you weep, dear mother? Why do you weep and mourn?
Why do you weep, dear mother, for the loss of your two sons?
For when our country calls us, and after our blood is shed,
And after we're dead and buried, we're numbered with the dead."

"Johnny, I've gave you good schooling, also a trade likewise;
You needn't have joined the army if you had took my advice.
You need not go to face the foe where cannons loud did roar
You'd escape the bloody battle along the Southern shore."

"Yes mother, you gave me good schooling, also a trade likewise;
I needn't have joined the army if I had took your advice.
I need not go to face the foe where cannons loud did roar
I'd escape the bloody battle along the Southern shore."

I joined the fourteenth infantry, it was a bloody score,
I traveled on those sandy plains, my feet were blistered sore
(We fought through many a battle along the Southern shore,)
And I wish to God that I was dead, my brother was no more.


*The Barefoot Boy *
From Folk Songs of the Catskills, Cazden et al, collected from Ernie Sager

Oh, the night was dark and stormy, and the moon kept shining bright,
And the stars cast burning rays down on the storm that raged the night
The lightning struck the cow-shed, and the cows all chewed their cuds,
And the moonlight set the prairie afire in the middle of the woods.

Oh, the barefoot boy with boots on came a-crawling down the street
His pants were filled with pockets, and his boots were filled with feet.
He was born when he was a baby, his grandma's pride and joy
His only sister was a girl, and his brother was a boy.

He never was one of triplets, came of being twins;
His legs were fastened to his knee, just above the shins
His feet were fastened to his hips, several inches from his shoulder,
When he was grown, he was a man, and every year got older.

At last he married a woman, who quickly became his wife,
He could not stay single and lead a married life.
His wife was full of notions, and her mouth was full of tongue,
She raised a dozen children, all born when they were young.

Six girls and five boys, and then another child,
They never tried to tame them, just let them all go wild.
The youngest was the baby, and the oldest was born first
The good one was the very best, and the mean one was the worst.

They never knew their ages, and they did not seem to care
They knew they had a birthday coming to them every year;
They never knew their father's age, but they always had a hunch
That he was born before their day, and was the oldest of the bunch.

And when they died, they could not speak, and their names they could not tell
And the girls all went to heaven, and the boys all went to Kingston.

*BEGGARMAN*
(To the tune of "Red Haired Boy". The wonderful thing about folk music is that so many songs have been around forever. This was collected by the famous scholar Colm O Lochlainn. It was performed by the Flanagan Brothers from Albany in the 1940’s. It was made famous in recent years by Tommy Makem, now resident in New Hampshire. His son now can be found playing music in the Hudson Valley)

I am a little beggarman a beggin' I have been
For three score or more in this little Isle of Green
I'm known from the Liffey, down to Segue
I'm known by the name of old Johnny Dhu
Of all the trades that's goin sure beggin' is the best
For when a man is tired he can sit down and rest
Beg for his dinner and he’s nothin' else to do
Only cut around the corner with his old rigadoo

Refrain:
A diddle eye, a diddle eye, a diddle eye’d a dum
A diddle eye, a diddle eye, a diddle eye’d a dum
A diddle eye, a diddle eye, a diddle eye’d a dum
A diddle eye, a diddle eye, a diddle eye’d a dum

I slept in a barn way down a’ Currabawn
A wet night came on and I slept ‘til the dawn
Holes in the roof and the rain coming through
And the rats and the cats they were playing peekaboo
When who should awaken but the woman of the house
With her white spotty apron and her calico blouse
She began to frighten and I said "Boo!
Arrah don't be afraid ma'am, it's only Johnny Dhu"

Refrain:

I met a little flaxy-haired girl one day
"Good morning, little flaxy-haired girl", I did say
"Good morning, little beggarman, a-how do you do
With your rags and your bags and your old rigadoo?"
"I'll buy a pair of leggings, a collar and a tie
And a nice young lady I'll fetch bye and bye
I'll buy a pair of goggles and color them blue
And an old-fashioned lady, I’ll make out of you"

Refrain:

Over the road with my pack on my back
Over the fields with my great heavy sack
With holes in my shoes and my toes peeping through
Singing "Skinny-ma-rink-a-doodle-o and old Johnny Dhu
I must be going to bed, for it's getting late at night
The fire's all raked and out goes the light
Now you've heard the story of me old rigadoo
"It's goodbye and God be with you", said old Johnny Dhu

Last refrain – to “B” music
Na, na, na, na, na, na, na
Na, na, na, na, na, na, na
Now you've heard the story of me old rigadoo"It's goodbye and God be with you", said old Johnny Dhu

*BIG BILL SNYDER* Tune: Old Dan Tucker

(8-10-02 was the157th Anniversary of the Anti-Rent War Confrontation on Dingle Hill, during which Under Sheriff Osmond Steele was fatally shot. Hundreds of "Calico Indians" from the gathered towns were arrested and many sentenced to death, later commuted by the State, winning a victory for the right to land ownership for NY farmers. Recorded by Pete Seeger and Ed Renehan on "Fifty Sail on Newburgh Bay" Folkways)

The moon was shining silver bright
The sheriff came in the dead of night
High on a hill an Indian true
And on his horn this blast he blew

Chorus: Keep out to the way, Big Bill Snyder
We’ll tar your coat and feather your hide, sir

The Indians gathered at the sound
Bill cocked his pistol and looked around
Their painted faces by the moon
He saw and heard that same old tune

Says Bill, This music’s not so sweet
As I have heard, I think my feet
Had better be used, and he started to run
But the tin horn still kept sounding on

Legs do your duty now, says Bill
There’s a thousand Indians on the hill’
When they catch Tories they tar their coats
And feather their hides, and I hear the notes

Bill ran and ran till he reached the wood
And there with horror still he stood
For he saw a savage tall and grim
And he heard a horn, not a rod from him

Bill thought he heard the sound of a gun
And he cried in fright, My race is run
Better that I had never been born
Than to hear the sound of that tin horn

And the news flew around and gained belief
That Bill was murdered by an Indian Chief
And no one mourned that Bill was slain
But the tin horn sounded again and again

Next day the body of Bill was found
His writs were scattered on the ground
And by his side a jug of rum
Told how he to his end had come


*Blackbird*

(Mary Avery - several tunes including Sweet Betsy from Pike)

I am a young maiden, my story is sad
For once I was carefree and in love with a lad
He courted me sweetly by night and by day
But now he has left me and gone far away

Chorus: Oh if I was a blackbird, could whistle and sing
I'd follow the vessel my true love sails in
And in the top rigging I would there build my nest
And I'd flutter my wings o'er his broad golden chest

He sailed o'er the ocean, his fortune to seek
I missed his caresses and his kiss on my cheek
He returned and I told him my love was still warm
He turned away lightly and great was his scorn

He offered to take me to Donnybrook Fair
To buy me fine ribbons, tie them up in my hair
He offered to marry and to stay by my side
But then in the morning he sailed with the tide

My parents they chide me, and will not agree
Saying that me and my true love married should never be
Ah but let them deprive me, or let them do what they will
While there's breath in my body, he's the one that I love still
*************These are not the right words - it will be corrected soon****

*Blue Mountain Lake*
(To the tune of Down, Down Down Derry Down)

Come all of you fellers, where'er you may be,
Come set down a while and listen to me.
The truth I will tell you without a mistake
'Bout the rackets we had down at Blue Mountain Lake.
Derry down, down, down derry down

There's the Sullivan brothers and big Jimmy Lou,
And old Moose Gilbert and Dandy Pat, too.
As fine lot of fellers as ever was seen
And they all worked for Griffin on Township 19.

Bill Mitchell you know, he kept our shantee.
As mean a damn man as you ever did see.
He laid round the shanty from mornin' till night.
If a man said a word he was ready to fight.

One mornin' 'fore daylight, Jim Lou he got mad,
Knocked hell out of Mitchell and the boys was all glad.
His wife, she stood there, and the truth I will tell,
She was tickled to death to see Mitchell catch hell.

Old Griffin he stood there, the crabby old drake.
A hand on the racket we thought he would take.
When some of the boys came and took him away,
"By Christ," says old Griffin, "I've nothin' to say."

You can talk of your fashions and styles to be seen,
But there's none to compare with the cook of 19.
She's short, thick, and stout, without a mistake,
And the boys call her Nellie, the belle of Long Lake.

And now my good fellers, adieu to you all,
For Christmas is comin' and I'm goin' to Glens Falls,
And when I get there I'll go out on a spree,
For you know when I've money, the devil's in me.

*Bluestone Quarrys*

(Written by Harry Seimsen, town of Kingston historian)

In 1841, they put their long red flannels on
The Irishman put their flannels on
To work in the Bluestone Quarrys

Chorus
Tither-ee-oor-i-oor-i-ay
Tither-ee-oor-i-oor-i-ay
Tither-ee-oor-i-oor-i-ay
To work in the Bluestone Quarrys

They left old Ireland far behind
To search for work of a different kind
The work was hard, but they didn’t mind
To work in the bluestone quarrys

---more to come

See http://www.town.kingston.ny.us/html/body_history.html

*Brennan on the Moor*

Well, tis of a well known highwayman
This story I will tell;
His name was Willie Brennan,
And in Ireland he did dwell;
Twas on the Kilworth mountains
He commenced his wild career,
And many a wealthy gentleman
Before him shook with fear.

Chorus:
And it’s Brennan on the Moor,
Brennan on the Moor.
Bold Brave and undaunted
Was young Brennan on the Moor.

One day upon the highway,
As Willie he went down,
He met the Mayor of Cashel
A mile outside the town:
The Mayor he knew his features;
And he said, young man, said he,
Your name is Willie Brennan
You must come along with me
Chorus:

Now Brennan's wife had gone to town,
Provisions for to buy,
And when she saw her Willie,
She began to weep and cry;
He said, "Give me that tenpenny";
And as soon as Willie spoke,
She handed him a blunderbuss
From underneath her cloak.

Chorus:

Then with his loaded blunderbuss,
The truth I will enfold,
He made the Mayor to tremble,
And he robbed him of his gold;
Five hundred pounds was offered
For his apprehension there,
And he with horse and saddle
To the mountains did repair
Chorus:

Then Brennan being an outlaw
Upon the mountains high,
With cavalry and infantry
To take him they did try;
He laughed at them with scorn,
Until at length, 'tis said,
By a false-hearted woman
He was cruelly betrayed.

Chorus:

*BURNING OF KINGSTON*
This was a poem written by William Geckle, set to music by Ed Renehan. Geckel makes the poetic allusion of the colors of the trees in the fall to the color of the flames as the towns. I sang this for a senior citizen program in Gardiner New York in August of 1993. An 80 year old woman told me her ancestors sailed upriver with the British. She said she that was something she hesitated to say because it “upset people”.

Autumn burned in the Ulster hills before the British came
The elms and maples smoldered there, the oaks were yellow flame
Fields were empty, barns were full, wrapped in October haze
While British ships up river sailed, all through the golden days

As in a dream the white sailed ships past the farm lands glide
All quiet now as if in peace, northward on the tide
Two thousand men aboard those ships gaze on the golden shore
They dream of making homes and farms, instead of making war

This was a land they could have loved and shared it’s homes and farms
This was a land they could have had without recourse to arms
But Kingston was burned in the Ulster hills, every house but one
And it burned in the hearts of Ulster men until the war was won


*CUTTING DOWN THE PINES*

Friends, if you will listen, I'll sing to you a song,
All about the pine woods and how they get along.
A jovial lot of fellows as ever you will find
Spent the winter pleasantly cutting down the pines.

Some will leave their own dear homes and friends they love so dear
To the lonesome pine woods the boys will have to steer.
The sawyers and the choppers, the quiet mechanics too.
Learn all sorts of trades as part of the lumber crew.

The sawyers and the choppers, they lay the timber low:
The skidders and the swampers, they haul it to and fro;
On come the teamsters before the break of day:
They load up their log teams, to the river haste away

"Noontime is coming!" loud the foreman screams,
"Lay down your saws and axes and haste to pork and beans
Time for your dinner!" you hear the foreman cry:
You ought to see them bound around, for they hate to lose their pie.

"Hurry up there, Tom, Dick or Joe,
You'll have to take the water pail and for some water go
Arriving in the shanty is when the fun begins,
Bringing out the water pails and rattling of the tins.

After dinner's over, 'tis amongst the crew,
We'll load up our pipes and smoke till all is blue
"Time for the wood, boys," you'll hear the foreman say;
We'll gather up our hats and caps, to the woods we'll haste away.

So merrily ring their axes until the sun goes down
"Hurrah! Now, my boys, your day's work is done."
Arriving at the shanty with cold and wet feet
All hands pull off our hats and caps, for supper we must eat

Our boots and our shoes are all thrown to one side;
Our mittens and our socks are all hung up and dried
"Time for your supper!" You all get up and go;
'Tain't the style for one of those boys to miss his hash, y'know!

Nine o'clock and thereabout, into our bunks we'll climb
To dream away the dreary hours while cutting down the pine
Four o'clock and thereabout, you'll hear the foreman shout,
"Hurrah, there, you teamsters, it's time that you were out!"

The teamsters, they'll get up all in a frightened way:
One cries, "I've lost my socks; my mittens've gone astray!"
Another one cries, "I've lost my cap, I don't know what to do
While another one says, "I've lost my hat, and I'm ruined too."

The choppers, they'll get up: their mittens they cannot find;
They lay it to the teamsters, and curse' em almost blind.
If any of you from this way should happen there,
You'd kill yourself a-laughing at the boys in despair.

Springtime is coming, merry be the day;
Lay down your saws and axes, and haste to clear the way
The floating ice now is gone, and business is to a ram:
Three hundred able bodied men are wanted on the jam.

If any of you disbelieve in this song, or think these lines aren't true,
Just go to Bravy's shanty, ask one of Bravy's crew.
It was in Jack Bravy's shanty this song was sung with glee,
"This is the end of The Lumber Woods," says L. D. E.

*D&H Canal*
The old ERIE Canal song reworked for the Delaware & Hudson Canal which ran from my house to Honesdale Pennsylvania, an area my father worked in before I was born. Wherever canal songs are found there is always one equating the "raging canal" with rough and ready deep sea sailors. Of course canals were usually as wide as a city street and as calm as ditchwater. Similar joke songs are found in England and wherever there are canals. Pete Seeger, famed Hudson Valley Folksinger did the definitive version of this song many years ago with the Weavers

We were forty miles from Kingston
Forget it I never shall.
What a terrible storm we had one night
On the D&H Canal.

cho: O the D&H was a-rising
And the gin was a-getting low.
And I scarcely think we'll get a drink
Till we get to the village of Wurtsboro
Till we get to Wurtsboro.

We were loaded down with barley
We were chock-full up on rye.
The captain he looked down at me
With his gol-durned wicked eye.

Two days out from High Falls
The vessel struck a shoal;
We like to all be foundered
On a chunk o' Lackawanna coal.

We hollered to the captain
On the towpath, treadin' dirt
He jumped on board and stopped the leak
With his old red flannel shirt.

The cook she was a grand old gal
She wore a ragged dress
We hoisted her upon the mast
As a sig-in-al of distress

The cook is in the Freeman
The captain went to jail;
And I'm the only son-of-a-sea cook
Left to tell the tale.

*Delhi Jail*

As I was a going down the road
With a tired feeling and a heavy load
Up jumped the sheriff and he hollered out bail
And he marched me up to the Delhi jail

The rotten old pork he gave me to eat
Sour molasses to make it sweet
They packed my coffee in a rusty old pail
And that’s the way they used me in the Delhi jail

Now I am free and out of that door
And I hope to the Lord I go there no more
For the birds are a flying without their tails
And to h--- with the sheriff of the Delhi jail


*Dewey Dens of Yarrow*


There were five sons and two were twins
There were five sons of Yarrow
They all did fightn for their own true loven
In the dewy dens of Yarrow

Oh mother dear I had a dream
A dream of grief and sorrow
I dreamed I was gathering heather blooms
In the dewy dens of Yarrow

Oh daughter dear I read your dream
Your dream of grief and sorrow
Your love, your love is lying slain
In the dewy dens of Yarrow

She sought him up and she sought him down
She sought him all through Yarrow
And then she found him lying slain
In the dewy dens of Yarrow

She washed his face and she combed his hair
She combed it neat and narrow
And then she washed that bloody bloody wound
That he got in the Yarrow

Her hair it was three quarters long
The color it was yello
She wound it round his waist so small
And took him home from Yarrow

Oh Mother dear go maken my bedn
Go make it neat and narrow
My love my love he diedn for me
I'll die for him to-morrow

Oh daughter dear don't be so grieved
So grieved with grief and sorrow
I'll wedn you to a better one
Than you lost in the Yarrow

She dressed herself in clean white clothes
And away to the waters of Yarrow
And there she laid her own self down
And died on the banks of the Yarrow

The wine that runs through the water deepn
Comes from the sons of Yarrow
They all did fightn for their own true loven
In the dewy dens of Yarrow


*DOWN BY THE HUDSON*

(Written in the 1950's by a Long Island school teacher)

More to post 7/11/07

The girls of the Deer, they're plump and their pretty

The Grass and Allegany has many a beauty

The Chenango flows slowly past girls by the score

So down by the Hudson I'll wander know more

Aye la lie lee lee lee give me your hand (3x)

There's may a river that waters the land

ERIN'S GREEN SHORES*

(A popular ballad of the 1800's. Variations with different tune strains have been found all over the U.S., including Canal Captain Pearl Nye, and lumberman George Edwards.
Packy Dolan, an Irish fiddler and singer from the Bronx, recorded `Erin's Green Shores' in 1929 for RCA Victor, using the tune `Rosin the Bow'. He was later killed in a steamboat explosion on the Hudson River. "Erin's Green Shores" represents one of the first fundraising songs for the Irish struggle. Daniel O'Connell, "Ireland's Liberator" is a frequent figure in Irish patriotic song. Here his daughter appears as a dream spirit, and is symbolic of Ireland.
)

On a bright summer's evening I rambled
Along by a clear, purling stream
All down by the banks of primroses,
When I quickly fell in a dream.

I dreamed I saw a fair damsel,
Her equal I'd never seen before,
he seemed to sigh for her country
As she strayed along Erin's green shores

Her cheeks were two blooming roses,
Teeth of an ivory so white,
Eyes were like two sparkling diamonds
Or a star on a cold winter's night.

She was dressed in the richest of tidings,
Green was the mantle she wore,
Bound round with shamrocks and roses
That growed along Erin's green shores.

Modestly I stepped to the fair maiden,
Boldly I asked her her name,
Knowed she were in the midst of great danger,
Or I would not have asked her the same

"I'm the daughter of Dan'l O'Connor,
From England I've lately sailed o'er,
Come to warn my true brothers
Of the dangers along Erin's green shores. "

She was dressed in the richest of tidings,
Green was the mantle she wore,
Bound round with shamrocks and roses
That growed along Erin's green shores.

When I woke from my slumber,
Found that all but a dream,
Found the dear one had left me,
I longed to be slumbering again.

May the great God of Heaven direct her,
I may never see her no more,
May the great God of Heaven protect her
As she strays along Erin's green shores.

She was dressed in the richest of tidings,
And green was the mantle she wore,
Bound round with shamrocks and roses
That growed along Erin's green shores.


*Felix the Soldier*
Song of the 7 years war. From Traditional American Folk Songs, Warner and Warner
Collected from Lena Bourne Fish


They took away my brogues
And they robbed me of my spade
They put me in the army
And a soldier of me made

But I couldn't beat a drum
And I couldn't play a flute
So they handed me a musket
And they taught me how to shoot.

But the Injuns they were sly,
And the Frenchies they were coy,
So they shot off the left leg
Of this poor Irish boy.

We had a bloody fight
After we had scaled the wall,
And the divil a bit of mercy
Did the Frenchies show at all.

Then they put me on a ship,
And they sent me home again,
With all my army training,
After battle's strife and din.

They headed for the Downs,
And we landed at the quay,
My mother came to meet me,
And these words to me did say,

"O Felix, are you drunk,
Or Felix are you mad?
And whatever has become
Of the two legs you had!"

I will bid my spade adieu,
For I cannot dig the bog,
But I still can play the fiddle,
And I still can drink my grog.

I have learned to smoke a pipe
And I've learned to fire a gun,
To the divil with the fighting,
I am glad the war is done.

*FOGGY DEW*


(This was one of the many songs collected from George Edwards. The text was written by the poet Milliken, and arranged by Mrs. Charlotte Milligan Fox {as a beautiful lament} in 'Songs of the Irish Harpers'. It was recorded by John McCormack in the early 1900's, and was very popular in the Irish American community in that era.)

It was over the hills, I went one morn,
a lovely maid I spied
With her coal black hair and her mantle of green
A vision to perceive

And where go ye sweet maid said I
As she came hurrying through
And she smiled and she said 'The boy I'm to wed
I'm to meet him in the foggy dew'

Go hide your blooms near roses red
and ruby lilies rare
For you must pale for very shame
before a maid so fair

Says I dear girl, will you be my bride
And she lifted her eyes of blue
And she smiled and she said the boy I’m to wed, I’m to meet him in the foggy dew'

Over the hills I went next morn
A-singing I did go
Met this lovely maid with her coal black hair
And she answered soft and low

Said she, 'Dear boy, I will be bride
If you'll promise to be true'
It was then, in my arms, that all her charms
Were casted in the foggy dew


*Girl I Left Behind Me *

The dames of France are fond and free
And Flemish lips are willing,
And sof the maids of Italy
While Spanish eyes are thrilling.
Still, though I bask beneath their smiles
Their charms all fail to bind me;
And my heart goes back to erin's isle
To the girl I left behind me.

She says,"My own dear love, come home
My friends are rich and many
Or else with you abroad I'll roam
A soldier stout as any.
If you'll not come nor let me go
I'll think you have resigned me."
My heart near broke when I answered,"No."
To the girl I left behind me.

For never shall my true love brave
A life of war and toiling.
And never, as a skulking slave
I'll tread my native soil on.
But were it free, or to be freed
The battle's close would find me
To Ireland bound, nor message need
From the girl I left behind me.


*Hudson River Rolling On* c 1970 by Ken Gonyea


I like your snow capped mountains and your valleys oh so fair
And the beauty of your countryside I’m sure can’t be compared
So many things to see and do, I’ll sing them in my song
But still I like to travel home, It’s there that I belong

Chorus
If you could see my Hudson River Rolling On
You’d know why I want to be back home where I belong
Her beauty and her majesty still lingers on my mind
I just love to stand beside her as she moves on down the line

They say that she is born high in the mountains way up north
In a tall stream down a rocky ledge
She finds her place of birth
A lot of tiny streams combine to make this river mine
Flowing through the Adirondacks to the valley that’s my home

You ought to see those lumberin’ barges heading north to Albany
Oil tankers headed south to New York City then out to sea
But still my river flows along just like the hands of time
You see I just can’t get that Hudson River off my mind


*Hudson River Steamboat*

Hudson River steamboat, steamin' up and down.
New York to Albany or any river town.
Choo-choo to go ahead, choo-choo to back 'er.
Captain and the first mate, they both chew
tobacker.

cho: Oh, choo-choo to go ahead, choo-choo to back 'er.
Packet boat, towboat, and a double-stacker.
Choo-choo to Tarrytown, Spuyten Duyvil all around.
Choo-choo to go ahead, choo-choo to back 'er.

Shad boat, pickle boat, lyin' side by side.
Fisherfolk and sailormen waitin' for the tide.
Raincloud, stormcloud over yonder hill.
Thunder on the Dunderberg _ the rumble's in the kill.

The Sedgwick was racin', and she lost all hope.
Used up her steam on the big calliope.
She was hoppin' right along, she was hoppin' quick,
All the way from Stony Point to Popalopen Creek.

(final chorus):

Aww, choo-choo to go ahead, choo-choo to back 'er.
Packet boat, towboat, and a double-stacker.
New York to Albany, Rondout and Tivoli.
Choo-choo to go ahead, choo-choo to back 'er.

*Hills of Glenshee *

One morning in springtime as day was a-dawning
Bright Phoebus had risen from over the lea
I spied a fair maiden as homeward she wandered
From herding her flocks on the hills of Glenshee

I stood in amazement, says I, "Pretty fair maid
If you will come down to St. John's Town with me
There's ne'er been a lady set foot in my castle
There's ne'er been a lady dressed grander than thee"

A coach and six horses to go at your bidding
And all men that speak shall say "ma'am unto thee
Fine servants to serve you and go at your bidding
I'll make you my bride, my sweet lass of Glenshee

"Oh what do I care for your castles and coaches?
And what do I care for your gay grandeury?
I'd rather be home at my cot, at my spinning
Or herding my flocks on the hills of Glenshee"

"Away with such nonsense and get up beside me
E'er summer comes on my sweet bride you will be
And then in my arms I will gently caress thee"
'Twas then she consented, I took her with me

Seven years have rolled on since we were united
There's many's a change, but there's no change on me
And my love, she's as fair as that morn on the mountain
When I plucked me a wild rose on the hills of Glenshee


*I Know an Old Canawler *
(Learned from Alice Valentine, President of the D&H Canal Society about 1978. She remet her childhood sweetheart late in life, remarried and took off for other parts of the world.)

I know an old canaller, his name is Simon Slick
He had a mule with dreamy eyes, Lord how that mule could kick
He'd wink his eyes, he'd wag his tail and greet you with a smile
He'd gently telegraph his leg and send you half a mile

Whoa, mule, whoa. Why don't you hear them holler
Tie a knot right in his tail so he don't slip through his collar
Why don't they put him on a track, why don't they let him go
And every time he comes around, shout whoa, mule, whoa

Now this mule he was a daisy, he pulverized a hog
Dissected seven Chinamen, and he kicked a yellow dog
He'd kick as quick as lightning, and he had an iron jaw
He's just the mule to have around to tame your mother in law

Whoa, mule, whoa. I'm done with you forever.
You ain't no good, you never was, and you never will be neither
You're going to die and take a trip to that hot place below
Old Satan see you coming in, he'll yell, whoa, mule whoa

*I WALK THE ROAD AGAIN*
Jehila 'Pat' Edwards

People used to walk a lot more in the old days when this song was composed. Back then you were lucky if you had a horse, much less a buggy.
There have been huge thesises written on this song, much by Norman Cazden. A "turkey" refers to a peddlers pack - they were sold by mail order houses, made of grey leather and deseigned to hold buttons, threads and "notions" for the peddler to sell to the housewife. To "hoist your turkey" was also to go back packing. Like "waltzing your Matilda". You can imagine at dusk or dawn a hobo with a sack on his back and a red bandana would look like he was, in fact, hoisting a turkey!
This was collected from George Edwards, Pat's son at Camp Woodland in the 1940's by the team of herbert haufrecht, Norman Cazden and Norman Studer. George Edwards was a renowned walker. There was a story that he was in NYC receiving an award for being a wonderful repository of songs. He left the awards ceromony and couldn't find his way back to his hotel. He then looked up and saw the George Washington Bridge, knew that was north, and walked back to Sundown, New York in the Catskills!

I am a poor unlucky chap,
I'm very fond of rum
I walk the road from morn till night
I ain't ashamed to bum
My feet being sore, my clothes being tore,
But still I didn't complain
I got up and I hoisted my turkey
And I walked the road again

Chorus:
I walked the road again me boys
I walked the road again
If the weather be fair, I combed my hair
And I walked the road again

Chorus

From New York into Buffalo
I tramped it all the way
I slept in brickyards and old log barns
Until the break of day
My feet being sore, my clothes being tore
But still I didn't complain
I got up and I hoisted my turkey
And I walked the road again

Chorus

I worked in the Susquehanna Yard
We got one dollar a day
Toiling hard to make a living, boys
I hardly think she pays
They said they would raise our wages
If they do I won't complain
If they don't I'll hoist my turkey
And walk the road again

Chorus

I worked along for about a month
Then I got some cash
I went upon a spree, me boys,
Money went to smash
A devil of a cent did I have left
But yet I didn't complain
I got up and hoisted my turkey
And I walked the road again

Chorus

Now I'm on the road, me boys
For a place I do not know
Misfortune, you are cruel
Why did you serve me so?
A devil that sits upon my back
That's what makes me sore
If ever I did strike a job again
I'll walk the road no more

Chorus
I'll walk the road no more me boys
I'll walk the road no more
If the weather be fair, I comb my hair
I walk the road no more


*In Tarrytown* (John Allison)

This is a Hudson Valley version of the old English/Irish/Scots ballad "The Butcher Boy". From the singing of John Allison, this song dates back to the U.S. colonial era.

In Tarrytown, there did dwell
A lovely youth I knew him well
He courted me my life away
And now with me he will no longer stay

Refrain:
Oh, wide and deep, my grave will be
With the wild goose grasses growing over me

When I wore, my apron low
He courted me, through ice and snow
Now that I wear, my apron high
He walks right down the street and passes by

Oh, wide and deep, my grave will be
With the wild goose grasses growing over me

There is an inn, in Tarrrytown
There my love goes and sits him down
He takes another, girl on his knee
And she has gold and riches more than me

Oh, wide and deep, my grave will be
With the wild goose grasses growing over me
Oh, wide and deep, my grave will be
With the wild goose grasses growing over me.

*KATIE MORGAN*(Adirondack Song)

Oh Katie Morgan, you are my darling
Sit you down, beside my knee
And tell to me, the very reason
That I am slighted, so by thee

I'm so deep in love, that I cannot deny it
My heart lies heavy, on my breast
It's not to you, for to let the world know it
A troubled mind, can know no rest

I leaned my head, against a cask of brandy
It was my fortune, I do declare
For when I'm drinking, I'm always thinking
Wishing Katie -- Morgan was there

I wish I was, in Pennsylvania
Where marble stones, are black as ink
And all the pretty, little girls adore me
I'll sing no more, till I have a drink

I'm drunk today, and I'm seldom sober
A high born man, of low degree
For when I'm drinking, I'm always thinking
Wishing Katie, would marry me

I wish I was, in some lonesome valley
Where woman kind, cannot be found
And all the little, birds sing their voices
And every moment, a different sound

Oh Katie Morgan, you are my sweetheart
Come sit you down, beside of me
And tell to me, the very reason
That I am slighted, so by thee


*Kerry Recruit *

At the age of nineteen, I was ploughin' the land
With me brogues on me feet and me spade in me hand.
Says I to meself, "What a pity to see
Such a fine Kerry lad diggin' spuds in Tralee."

cho: To me Kerry-I-Ah, fa lal deral lay,
Kerry-I-Ah, fa lal deral lay.

So I buttered me brogues and shook hands with me spade
And went off to the fair like a dashing young blade.
A sergeant come up and said "Would ye enlist?"
"Sure, sergeant," says I, "Slip the bob in me fist".

Then up came a captain, a man of great fame,
Who straightways enquires me country and name;
Well, I told him before as I'd tell him again
That me father and mother were two Kerrymen.

Well the first thing they gave me it was a red coat
With a lump of black leather to tie 'round me throat.
The next thing they gave me --- I said "What is that?"
"Sure, man, a cockade for to stick in yer hat!"

The next thing they gave me they called it a horse
With a saddle and bridle, me two legs across.
Well, I gave 'er the whip and I gave 'er the steel
And, Oh Holy Mother! She went like an eel.

The next thing they gave me, they called it a gun,
So under the trigger I settled me thumb.
The gun it belched fire, and vomited smoke
And gave me poor shoulder the Divil's own stroke.

The next place they took us was down to the sea,
Aboard a great ship, bound for the Crimee,
With three sticks in the middle, all covered with sheet
She walked on the water without any feet.

We reached Balaclava all safe and all sound,
And tired and weary we lay on the ground.
Next morning at daybreak a bugle did call,
And served us a breakfast of powder and ball.

We whipped them at Alma and at Inkerman
But the Rooshians they foiled us at the Redan.
While scaling a rampart meself lost an eye
And a great Russian bullet ran away with me thigh.

All dyin' and bleedin' I lay on the ground,
With me arms, legs and feet all scattered around.
Says I to meself, "If me father was nigh
He would bury me, sure, just for fear I might die."

But a surgeon come up and he soon stops the blood,
And he made me an iligant leg made of wood;
And they made me a pension of tenpence a day
And contented on shiela I live on half-pay.
(Last verse by Richard Dyer-Bennett)

Now that was the story my grandfather told,
As he sat by the fire all withered and old.
"Remember," said he,"that the Irish fight well,
But the Russian artillery's hotter than Hell."


*LAST WINTER WAS A HARD ONE*

Last winter was a hard one, Missus Reilly, did you say?
'Tis well yourself that knows it, it is for many a day.
Your husband wasn't the only man sot behind a wall;
My old man McGuinness couldn't get a job at all

cho: Rise up, Missus Reilly, don't give away to blues
You and I will cut a shine, new bonnets and new shoes
Hear the young ones cry? Neither sign nor sob,
We'll wait till the times gets better and McGuinness gets a job

Bad luck to these Eye-talians, why don't they stay at home,
We've plenty of our own trash to eat up all our own;
Come like bees in the summertime, swarming here to stay,
Contractors hired them for forty cents a day.

To work upon the railroad, shovel snow and slush;
One thing in their favor, Eye-talians never get slushed
They always bring their money home, take no dinner wine
One thing I would like to say of your old man and mine!

Springtime is coming, work we'll surely get,
McGuinness'1l go back to his trade again, he makes a handsome clerk
See him climb a ladder as limber as a fox,
Says he's the boy can handle the old three-cornered box,

Additional verses:

The politicians promised him work on the boulevard
To handle a pick and shovel, and throw dirt on the cart.
Ah! Six months ago they promised him the work he'd surely get
But believe me, my good woman, they're promising him yet.

The boss is always bawling, "Hi there! Don't you stop.
Keep your eyes upward, don't let no mortar drop!"
Ah, the old man is always careful, nothing he lets fall
The divil a word you'd hear him say to my old man at all.

Final refrain:
Rise up, Missus Reilly, don't give away to blues,
You and I will cut a shine, new bonnets and new shoes
Hear the young ones cry? Neither sigh nor sob:
Times all got better, and McGuinness got a job.


*Meeting of the Waters* (Samuel Woodworth)


During the 19th and 20th Centuries, the songs of Thomas Moore were popular in the Irish American community. It is recorded in the Kingston Weekly Leader, Feb. 17, 1916 that a canal captain sang 'Loves Young Dream'. Many of Moore's songs are still played in Kingston, Poughkeepsie, and New York City. On Saint Patricks' Day, marching bagpipe bands will frequently play his songs' 'Let Erin Remember' or 'The Minstrel Boy.
At the completion of the Erie Canal, Samuel Woodworth, who wrote 'The Old Oaken Bucket', penned fresh words to Thomas Moore's 'The Meeting of the Waters', which used the old tune, 'The Old Head of Dennis'. Woodworth dedicated his song, 'The Meeting of the Waters of Hudson & Erie' to Dewitt Clinton, and it was sung at the Grand Canal celebration in New York City.


There is not in the wild world a Valley so sweet
As that vale in whose bosom the bright waters meet
O the last rays of feeling and life must depart
Ere the bloom of that valley shall fade from my heart
Ere the bloom of that valley shall fade from my heart

Let the day be forever remember'd with pride
That beheld the proud Hudson to Erie allied
O the last sand of Time from his glass shall descend
Ere a union, so fruitful of glory shall end
Ere a union, so fruitful of glory shall end

Yet it is not that Wealth now enriches the scene
Where the treasures of Art, and of Nature, convene
'Tis not that this union our coffers may fill
O! no - it is something more exquisite still

'Tis, that Genius has triumph'd and Science prevail's
Tho' Prejudice flouted, and Envy assail'd
It is, that the vassals of Europe may see
The progress of mind, in a land that is free

All hail! to a project so vast and sublime!
A bond that can never be sever'd by time
Now unites us still closer, all jealousies cease
And our hearts, like our waters, are singled in peace


*Mermaid*


The towns of Hudson and Pougkeepsie were whaling ports during the 1800's. the ships would come in to escape the winter storms on the Atlantci and make repairs. Mermaids were supposed to be bad luck. This one is just an excuse for a rollicking good song. There are a lot of versions to this song. This is the one the Weavers taught to the Clancy Brothers. Insert the towns of your choice.


Twas Friday morn when we set sail
And we were not far from the land
When the captain, he spied a lovely mermaid
With a comb and a glass in her hand

Chorus:
O the ocean's waves may roll (let em roll)
And the stormy winds may blow (let em blow)
While we poor sailors go skipping to the top
And the landlubbers lie down below (below, below)
And the landlubbers lie down below

And up spoke the captain of our gallant ship
And a well-spoken man was he
He said: ”I have me a wife in Kingston by the sea
And tonight she a widow will be”

And up spoke the first mate of our gallant ship
And a fine young man was he
He said: ”I have a girl friend in Poughkeepsie by the sea
And tonight she’ll be thinking there of me”

And up spoke the cook of our gallant ship
And he studied at the Culinary Institute
He said: ” I care much more for my pots and my pans
Than I do for the bottom of the sea

Then up spoke the cabin boy, of our gallant ship
And a dirty little buggerwas he.
He said “I have no one in Roundout by the sea
Who tonight will be thinking there of me”

Then three times around went our gallant ship
And three times around went she
Three times around went our gallant ship
And she sank to the bottom of the sea


*Moon in the Pear Tree *

Look up sailor and you'll see
The moon and the pear in the apple tree
The old pear tree on the top of the hill
Where the river
A sailor's always glad to see
The moon in the top of the old pear tree

Look up sailor and don’t be mad
The sun and moon are bringing up shad

- more to come


*Maid of the Mountain Brow*

Come all ye lads and lasses, and listen to me awhile
Ye tender hearts that weep for love to sigh you will not fail,
'Tis all about a young man, and my song will tell you how
He lately came a-courtin' of the Maid of the Mountain Brow

Said he, "My pretty young fair maid, could you and I agree,
To join our hands in wedlock bands, and married we will be;
We'll join our hands in wedlock bands, and you'll have my plighted vow,
That I'll do my whole endeavors for the Maid of the Mountain Brow

Now this young and pretty fickle thing, she knew not what to say,
Her eyes did shine like silver bright, and merrily did play;
Says she, "Young man, your love subdue, I am not ready now,
And I'll spend another season at the foot of the Mountain Brow."

"Oh," says he, "My pretty young fair maid, now why do you say so?
Look down in yonder valley where my verdant crops do grow.
Look down in yonder valley at my horses and my plough,
All at their daily labor for the Maid of the Mountain Brow."

"If they're at their daily labor, kind sir, it is not for me.
I've heard of your behavior, I have, kind sir, " said she;
"There is an inn where you drop in, I've heard the people say,
Where you rap and you call and you pay for all, and go home by the break of
day."

"If I rap and I call and I pay for all, my money is all my own.
I've never spent aught of your fortune, for I hear that you've got none.
You thought you had my poor heart broke in talkin' to you now,
But I'll leave you where I found you, at the foot of the Mountain Brow."

*THE MULE SONG*
From Folks Songs of the Catskills, Cazden Haufrecht and Studer From the singing of George Edwards except as noted NOTE: This is a parody of an Edward Harrington Song "Never Take the Horseshoe from the Door"

A story has come down from old Mathuslam,
I learned it when I was a little boy at school,
You'll make a great mistake, and don't forget it,
It' you bother around the hind parts of a mule

cho: So never tickle a mule when he's reposing;
If you disturb his peaceful slumbers, you're a fool.
If you don't want to visit the undertaker,
Never take the hindshoe from a mule.

The business end of a mule is mighty ticklish;
Never, never touch him, as a rule.
He'll kick you full of holes in seven seconds
Trust him not, there's mischief in a mule.

If you don't want to be shoveled up in pieces, **
Why, keep a respectful distance from a mule.
If you touch his caudal appendage you're a goner
Asleep or awake, you'll find he's not a fool

When you see the animal's old and feeble,
Don't you never handle him, as a rule.
For [there'll be]* a chest protector on your eyebrow,
They'll lay you on a ton of ice to cool.

Oh you'll think you were struck by seven kinds of lightning**
If you neglect to follow this golden rule:
You'd be too much broken up to,join the angels
If you bother' round the hind parts of a mule.

*[you'll need] makes more sense.
** Not from G.E. singing.



My Heart's in Old 'Sopus Wherever I Go
June 1855 Henry S. Backus "The Saugerties Bard"

My bark on the billow dashed gaily along
And glad were the notes of the sailor-boy's song
yet sad was my bosom, and bursting with woe
For my heart's in Old 'Sopus wherever I go

Thy groves are so lovely that cheerless and vain
Bloom the lilies of France and the olives of Spain
When I think of the fields where the wild berries grow
Oh! my heart's in Old 'Sopus wherever I go

The roses and lilies may abandon the plains
Though the summer's gone by the balsam remains
Like a friend in misfortune it cheers through the snow
To my heart in Old 'Sopus wherever I go

More dear to my heart than all Italy yields
Are the beautiful daisies that spangel the fields
Jacob's Valley there slopes where the bright waters flow
Oh! my heart's in Old 'Sopus wherever I go

I sigh and I vow if e'er I get home
No more from my dear native cottage I'll roam
The Harp shall resound, and thye music shall flow
For my heart's in Old 'Sopus wherever I go


*MY HOME'S ACROSS THE HUDSON VALLEY*
(Popular as "My Home's Across The Blue Ridge Mountains", this has been reworked by several generations of Hudson Valley Folksingers including Tom Winslow, Rick Nestler and myself.)

My home's across the Hudson Valley
My home's across the Hudson Valley
My home's across the Hudson Valley
And I'm never gonna see you any more,

Goodbye my melancholy baby (3 times)
And I'm never gonna see you any more

Where is that wedding ring I gave to you (3 times)
And I'm never gonna see you any more

I'm sailing on the Hudson River (3 times)
And I'm never gonna see you any more

I'm bound across the Catskill Mountains (3 times)
And I'm never gonna see you any more

My home's across the Hudson Valley (3 times)
And I'm never gonna see you any more,


*My Home by the Hills *
tune: My Home Waltz, (Me Ain House) words: c 2003 Bob Lusk
(I've always thought this wonderful waltz should have words, so while traveling through central NY a few years back I penned these.)

My home is a good home, the best place I know
Land of the old folks, where children can grow
Wherever I travel, wherever I roam
Wherever I'll be, I'll think of my home

Chorus:
It’s there in my memory, my home by the hills
Be life long or short, I'll be there still
By the fields, streams and farms and the meadows so near
My home by the hills and my own sweet dear

I'm thinking today of my home by the hills
Wherever I wander, I'll be there still
Where the flowers are blooming and the meadows so green
My home by the hills and my own colleen

There's beauty in cities, there's glitter so gay
You frolic and fritter, your whole life away
But early in the morn when the whole world's asleep
That's when you find the beauty you keep

The mists on the mountains are calling to me.
The valleys so wide and the rivers so deep
But wherever I travel, wherever I roam
Wherever I wander, I'll think of my home


*Once More a Lumbering Go*
(Adirondack Song) Lawrence Older

Ye mighty sons of freedom
Who round the mountains range
Come all you gallant lumber boys
And listen to my song
On the banks of the sweet Saranac
Where its limpid waters flow
We'll range the wild woods over
And once more a-lumbering go

Once more a-lumbering go
And we'll range the wild woods over
And once more a-lumbering go

To the music of our axes
We'll make the woods resound
And many a tall and lofty pine
Comes tumbling to the ground
At night, around our good campfire
We'll sing while cold winds blow
We'll range the wild woods over
And once more a-lumbering go

You may talk about your parties
Your parties and your plays
But pity us poor lumber boys
Go bouncing on our sleighs
But we ask no better pastime
Than to hunt the buck and doe
We'll range the wild woods over
And once more a-lumbering go

When winter it is over
And the icebound streams are free
We'll drive our logs to Glen Falls
And we'll haste our girls to see
With plenty to drink and plenty to eat
Back to the world we'll go
We'll range the wild woods over
And once more a-lumbering go

*Paddy on the Canal *
Supposedly popular on the NY canals.
When I landed in sweet Philadelphia,
The weather was warm and was clear;
But I did not stay long in that city
As you shall quickly hear.
I did not stay long in that city
For it happened to be in the fall;
And I ne'er reefed a sail in my rigging
'Til I anchored upon the canal.

cho: So, fare you well father and mother,
Likewise to old Ireland too,
And fare you well sister and brother
For kindly I'll bid you adieu.

When I came to this wonderful empire,
It filled me with the greatest surprise.
To see such a great undertaking,
On the like I never opened my eyes.
To see a full thousand brave fellows,
At work among mountains so tall.
A dragging a chain through the mountains,
To strike a line for the canal, So....

I entered with them for a season,
My monthly pay for to draw.
And being of very good humor,
I often sang "Erin go bragh."
Our provision it was very plenty,
To complain we'd no reason at all.
I had money in every pocket,
While working upon the canal.

When at night we all rest from our labor,
Sure but our rent is all paid.
We laid down our pick and our shovel,
Likewise our axe and our spade.
We all set a joking together,
There was nothing our minds to enthrall.
If happiness be in this wide world,
I am sure it is on the canal.


*PIPING TIM*

(When I was learning to play the concertina, I found that this tune fit very easily into the diatonic scale on which the concertina is based. (Like a harmonica) As I was playing it one night, a friend, Jan Christensen from Hurley , New York, started singing it as `Piping Tim', and told me that he learned it in grade school in Hurley. The plot is that Tim teaches the birds to sing)

Every person in the nation
Or of great or humble station
Holds in highest estimation
Piping Tim of Galway

Loudly he can play or low
He can move you fast or slow
Touch your hearts or stir your toe
Piping Tim of Galway

When the wedding bells are ringing
His the breath to lead the singing
Then in jigs the folks go swinging
What a splendid piper

He will blow from eve to mourn
Counting sleep a thing of scorn
Old is he but not outworn
Know you such a piper?

When he walks the highways pealing
`Round his head the birds come wheeling
Tim has carols worth the stealing
Piping Tim of Galway

Thrush and Linnet, finch and lark
To each other twitter "Hark"
Soon they sing from light to dark
Pipings learnt in Galway


*River that Flows Both Ways *
words and music, copyright 1986 Rick Nestler
The Mahican name of the river, Muh-he-kun-ne-tuk, means "the river that flows both ways." The Hudson is often mistaken for one of the largest rivers in the United States, but it is an estuary throughout most of its length below Troy.

Once the Sachems told a story
Of a land the great spirit blessed
And the people followed the legend
From the great water in the west
Then they stopped where they found
That the fishing was good
The earth it was fertile, game ran in the wood

Refrain 2 times
And I could be happy just spending, my days
On the river that flows both ways

First came the trappers, then the traders
Their own fortunes for to find
And the valley treated them kindly
So the farmers followed close behind
Then the sloops sailed well laden “round the battery
With flour from Yonkers, furs from Albany

Refrain (2 times)

Writers and painters have shown its beauty
In its waters and on the shore
While musicians sing it’s praises
And keep alive the river’s lore
With the sun settin golden o’er the Palisades
Afternoon ends and the daylight fades

Refrain (2 times)

Maybe it’s the moon shine, maybe it’s the starlight
Reflected in Haverstraw Bay
Maybe it’s the fog that rolls off the highlands
At the break of a brand new day
But apple cider and pumpkins, strawberries and corn
Make the people of the river, glad they were born

Refrain (3 times)

*Rolling Home to the Hudson Valley*

Call all hands to man the capstan
See the cable running clear
Heave away and with a will, boys
For the Hudson Valley we will steer

Rolling home, rolling home
Rolling home across the sea
Rolling home to the Hudson Valley
Rolling home dear land to thee

Fare you well, you Spanish maidens
It is time to say adieu
Happy times we've spent together
Happy times we've spent with you

"Round Cape Horn one frosty morning
And our sails were full of snow
Clear your sheets and sway your halyards
Swing her out and let her go

Up aloft amid the rigging
Blows a wild and rushing gale
Like a monsoon in the springtime
Filling out each well known sail

And the waves we leave behind us
Seem to murmur as they flow
There's a hearty welcome waiting
In the land to which you go

Many thousand miles behind us
Many thousand miles before
Ocean lifts her winds to bring us
To that well remembered shore

*Shove Around the Grog*
Shove around the grog me boys
We're the boys that fear no noise, we'll sing our way back home
- more to come

*Shule Aroon*
(From the John Allison family in Tarrytown, NY)
*SHULE AROON*

"Siubhail a Gradh" arose out of the agonies of Irish struggle against British rule. In 1688, rebellion broke out and was crushed by the English King, William of Orange. The treaty of Limerick, which terminated hostilities; in 1691, provided honorable terms for the Irish warriors: they might take the oath of allegiance to England, or they might leave their native land for exile and for military service on the continent. These were the famed "Wild Geese" of the Irish Brigade who served with the French hoping somehow through this eventually to drive the English out of Ireland. The majority of Eire's leaders, the flower of her aristocracy, chose exile. There remained to them hope that they might one day come home sword in hand under the leadership of a "Kings's son from across the sea," to deliver their country from the hated British rule. Siubhail a Gradh" records a nation's desolation and the glimmering spark of its hope still lingering in defeat.

The lyrics of the chorus seem to have come from and entirely different kind of song. Irish immigrants to the New World brought this song with them. In time, it rooted itself in American soil, and became a lament for militiamen departed to fight the French or the British. The Gaelic refrain dropped away, or survived only as a nonsense rhyme; the melody became Americanized. We reproduce here the Irish lyrics and one of the beautiful melodies to which it was set; and an American version found originally among Irish settlers in the Hudson Valley, and transmitted to us through the family tradition of the New York State song collector, John Allison.

*COME MY LOVE (EIRE)*

I wish I were on yon green hill
'Tis there I'd sit and cry my fill
And every tear would turn a mill
My darling and my life, I love you so

Come, come, come, my love
Now death alone can end my woe
Don't leave me here to mourn alone
My darling and my life I love you so

I'll sell my rack, I'll sell my reel
I'll sell my only spinning wheel
To buy my love a sword of steel
My darling and my life, I love you so

Come, come, come, my love
Now death alone can end my woe
Don't leave me here to mourn alone
My darling and my life I love you so

But now my love has gone to France
To try his fortune to advance
If he come back, 'tis but a chance
My darling and my life, I love you so

Come, come, come, my love
Now death alone can end my woe
Don't leave me here to mourn alone
My darling and my life I love you so

I'll dye my petticoat, I'll dye it red
And round the world I'll beg my bread
For the lad that I love from me is fled
My darling and my life, I love you so

Come, come, come, my love
Now death alone can end my woe
Don't leave me here to mourn alone
My darling and my life I love you so
(Refrain translated from the Gaelic by Samuel Preston
Bayard and John Anthony Scott.)

The Gaelic refrain, often still sung by Irish singers
along with the English verses goes as follows:

Siubhail, siubhail, siubhail a gradh
Ni leigheas le faghail acht leigheas an bhais
O d'fhag tu mise, is bocht mo chas
Is go dteidhidh tu a mhuirnin slan

OTHER VERSION

I would I were on yonder hill
'Tis there I'd sit and cry my fill
And every tear would turn a mill
Iss guh day thoo a voorneen slawn

PHONETIC CHORUS
Shule, shule, shule aroon
Shule go succir agus,shule go kewn
Shule go dheen durrus oggus aylig lume
Iss guh day thool avorneen slawn

TRANSLATION OF CHORUS

Come, come, O Love
Quickly cone to me, softly move
Come to the door, and away we'll flee
And safe for aye may my darling be!

I'll sell my rock, I'll sell my reel
I'll sell my only spinning-wheel
To buy for my love a sword of steel
Iss guh day thoo avorneen slawn

Shule, shule, shule aroon
Shule go succir agus,shule go kewn
Shule go dheen durrus oggus aylig lume
Iss guh day thool avorneen slawn

I'll dye my petticoats, I'll dye them red
And round the world I'll beg my bread
Until my parents wish me dead
Iss guh day thoo avorneen slawn

Shule, shule, shule aroon
Shule go succir agus,shule go kewn
Shule go dheen durrus oggus aylig lume
Iss guh day thool avorneen slawn

I wish, I wish, I wish in vain
I wish I had my heart again
And vainly think I'd not complain
Iss guh day thoo avorneen slawn

Shule, shule, shule aroon
Shule go succir agus,shule go kewn
Shule go dheen durrus oggus aylig lume
Iss guh day thool avorneen slawn

But now my love has gone to France
To try his fortune to advance
If he e'er come back, 'tis but a chance
Iss guh day thoo avorneen slawn

Shule, shule, shule aroon
Shule go succir agus,shule go kewn
Shule go dheen durrus oggus aylig lume
Iss guh day thool avorneen slawn

JOHNNY HAS GONE FOR A SOLDIER (HUDSON VALLEY)

Sad I sit on Butternut Hill
Who could blame me cry my fill
And every tear would turn a mill
Johnny has gone for a soldier

Me oh my, I loved him so
Broke my heart to see him go
And only time can heal my woe
Johnny has gone for a soldier

I'll sell my clock, I'll sell my reel
Likewise I'll sell my spinning wheel
To buy my love a sword of steel
Johnny has gone for a soldier

Sad I sit on Butternut Hill
Who could blame me cry my fill
And every tear would turn a mill
Johnny has gone for a soldier

*Tugboat *
Don Shappelle

Tugboat pushin that barge along
Whistle blowing that sweet river song
Smokestack black as a Hudson night
Tugboat pushin that barge out of sight

Workin on the river since I was 22
Workin on the river, I’ll be dead here - before I’m through
Yes I know this river like the back of my Hand
Workin on the river, I’m a Hudson River man

Going up the river out of NY town
Loading up coal to bring back down
Muscle and blood and sweat and steel
Going up the river out of NY town.

Going up the river under the Tapanzee
By the Sleepy Hollow all the way to Albany
A freight train rolling on the Hudson line
Waving to the engineer a good friend of mine

*When You’re out of a Job*
(Grant Rogers and John Barnes)
I met Grant and played with him at the Andes Catskill Mountain Folk Festival and a few other events in the late 1970’s. He did this song as “When a Fellow is Out of a Job”. I can’t remember how or why I changed it, but I don’t think he minded.

All nature is sick from her heels to her hair,
When you're out of a job
She's all out of kilter, beyond all repair
When you're out of a job

There's no juice in the earth,
No salt in the sea,
No ginger in life in this land of the free.
And the world ain't what it's cracked up to be,
When you're out of a job

What's the good of blue skies and blossoming trees?
When you're out of a job
And your kids have big patches all over their knees,
When you're out of a job

Those patches, you see, look as big as the sky
They blot out the landscape and cover your eye
And the sun can't shine through the best it may try
When you're out of a job

Everyone wants to help push the world
But you can't, if you’re out of a job.
You’re left out behind, on a shelf you are curled
When you're out of a job

You feel you’ve no part in the whole of the plan,
An obsolete cog, you can’t understand
And the world ain’t what you’ve had it to plan
When you're out of a job

(repeat first chorus:)
There's no juice in the earth,
No salt in the sea,
No ginger in life in this land of the free.
And the world ain't what it's cracked up to be,
When you're out of a job


*Wild Irish Boy*
From Folk Songs of the Catskills, Cazden et al. A conflated version; George Edwards and Mrs. Frank Decker

When I first came to this country I had brogues on my feet,
I'd on corduroy britches although they looked neat,
The girls would laugh at me, which gave me great joy,
They called me their hero, their wild Irish boy.

My age now, they tell me is just twenty-three
For my bad conduct transported I might be
Horse-racing, fox-chasing and gaming also
For that very reason, over the ses I must go.

Now I am deprived of all comforts of life
I've left her behind me who would've been my wife.
With my foot on the ocean, my heart on dry land
With tears in my eyes I'll tke a rig in my hand.

It ws down on the Perth where those matches were made
That caused many a brave hero in transport to bleed;
And in some distand island to be sold as a slave,
For in my own country I did misbehave.

As for my own dear mother, the greater I pray
Don't cast it up to her that I'm going away
She's in great grief already, pray no more to it add
How many kind parents bad children have had!

There's one thing I'll remember, I can never forget
It is Washington's friend, that dear Lafayette,
He dearly loved freedom but he climed it no fame
Though he dearly loved freedom in an Irishman's name.

*Wild Rippling Water*

Also called "The Nightingale Song" or "One Morning in May", this song is found in every English speaking Irish settlement in the world.

As I went out walking one morning in May,
I spied a young couple so fondly did stray;
And one was a young maid so sweet and so fair
And the other one was a soldier and a brave grenadier

Chorus:
And they kissed so sweet in Cuberton as they clung to each other
They went arm and arm down the street like sister and brother
They went arm and arm down the street till they came to a stream
And they both sat down together love to hear the nightingale sing

Then out of his knapsack he took a fine fiddle
And he played her such merry tunes that you ever did hear
And he played her such merry tunes the valleys did ring
Oh softly said the fair maid, hear the nightingale sing

And then said the fair maid, will you marry me
Oh no said the soldier, however can that be
For I’ve me own wife at home in me own country,
And she is the fairest pretty thing that you ever did see

Now I’m off to England for seven long years
A drinking strong whiskey instead of pale beers
And if ever I return it will be in the spring,
And we’ll both sit down together love to hear the nightingale sing